This PhD artefact consists of an anthology of short stories collectively
titled ‘Not My Circus, Not My Monkeys’, and an accompanying exegesis
titled ‘Not My Circus, Not My Monkeys: exploring the creative process
and product’. The short stories document the experiences of teachers
from the early days of their careers to a time before retirement. Each
story uses Bakhtin’s carnival to explore the experiences of teachers in
their everyday workplaces and beyond. The carnivalised stories convey
the emotional aspect of the job and how this dimension of the workplace
is marginalised when talking about the teacher profession. The stories
highlight how within English and Australian educational systems, the
individual teacher’s voice is also marginalised or silenced. The narratives
examine the impact on teachers as people and the exegesis enters into a
scholarly debate regarding a profession that is struggling to keep its
newer recruits. An enduring theme of teacher identity underpins the
stories and this theme is also debated in the exegesis using an
autoethnographic methodology. The writer’s choice of creative writing as
a vehicle for examining teacher identity and experience is discussed in
the exegesis, and the elements of short story writing are also investigated.
History
Number of Pages
468
Location
Central Queensland University
Publisher
Central Queensland University
Additional Rights
Author retains copyright. I, the undersigned author of the thesis, state that this thesis may be copied and distributed for private use and study, however, no chapter or materials of this thesis, in whole or in part, can be copied, cited or reprinted without the prior permission of the author and/or reference fully acknowledged.