"Through the analysis of a selection of television images from the 1920s to the present day, including Graham Kennedy, Norman Gunston, Roy and H.G. and Kath and Kim, the thesis focuses on the way certain television images from Australian televison comedy function as scenes of inhabited resistance with the telefisual event of control".
LocationCentral Queensland University
Additional RightsI hereby grant to Central Queensland University or its agents the right to archive and to make available my thesis or dissertation in whole or in part through Central Queensland University’s Institutional Repository, ACQUIRE, in all forms of media, now or hereafter known. I retain all copyright, including the right to use future works (such as articles or books), all or part of this thesis or dissertation.
External Author AffiliationsFaculty of Arts, Humanities and Education;
SupervisorDr Warwick Mules
Thesis TypeDoctoral Thesis