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The Aboriginal voice in Baz Luhrmann's left-leaning "Australia" (2008)

journal contribution
posted on 06.12.2017, 00:00 authored by David StarrsDavid Starrs
Arguing that Baz Luhrmann's "Australia" (2008) is a big-budget, non-independent film espousing a left-leaning political ideology in its non-racist representations of Aborigines on film, this paper suggests the addition of a 'fourth formation' to the 1984 Moore and Muecke model is warranted. According to their theorising, racist "first formation" films promote policies of assimilation whereas "second formation" films avoid overt political statements in favour of more acceptable multicultural liberalism. Moore and Muecke's seemingly ultimate "third formation films", however, blatantly foreground the director's leftist political dogma in a necessarily low budget, independent production. "Australia", on the other hand, is an advance on the third formation because its feminised Aboriginal voice is safely backed by a colossal production budget and indicates a transformation in public perceptions of Aboriginal issues. Furthermore, this paper argues that the use of low-cost post-production techniques such as voice-over narration by racially appropriate individuals and the use of diegetic song in Australia work to ensure the positive reception of the left-leaning message regarding the Stolen Generations. With these devices Luhrmann effectively counters the claims of rightwing denialists such as Andrew Bolt and Keith Windschuttle.

History

Volume

26

Issue

4

Start Page

625

End Page

636

Number of Pages

12

eISSN

1469-3666

ISSN

1030-4312

Location

Australia

Publisher

Routledge

Language

en-aus

Peer Reviewed

Yes

Open Access

No

External Author Affiliations

University of Western Sydney;

Era Eligible

Yes

Journal

Continuum : journal of media and cultural studies.