Negotiating and enacting musical innovation and continuity : how some Torres Strait Islander songwriters incorporate traditional dance chants within contemporary songs
journal contribution
posted on 2017-12-06, 00:00authored byKarl Neuenfeldt, Lynette Costigan
Many Indigenous peoples worldwide engage with popular music and popular music forms, often striving to find a balance between traditional and contemporary influences. This article uses ethnographic data from Australian Torres Strait Islander songwriters to explore the processes and rationales they use when incorporating traditional dance chants within contemporary songs. The research demonstrates some of their processes of innovation and continuation while they negotiate crucial cultural and community politics that inform not only music and dance but also other forms of contemporary Indigenous artistic expression. The songwriters perceive themselves as creators but creators who must also work within the cultural, social and aesthetic dictates of their communities.
Funding
Category 1 - Australian Competitive Grants (this includes ARC, NHMRC)
History
Volume
5
Issue
2
Start Page
113
End Page
128
Number of Pages
16
ISSN
1444-2213
Location
Oxon, UK
Publisher
Routledge, Taylor and Francis Ltd
Language
en-aus
Peer Reviewed
Yes
Open Access
No
External Author Affiliations
Faculty of Informatics and Communication; TBA Research Institute;