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Negotiating and enacting musical innovation and continuity : how some Torres Strait Islander songwriters incorporate traditional dance chants within contemporary songs
journal contribution
posted on 2017-12-06, 00:00 authored by Karl NeuenfeldtKarl Neuenfeldt, Lynette CostiganLynette CostiganMany Indigenous peoples worldwide engage with popular music and popular music forms, often striving to find a balance between traditional and contemporary influences. This article uses ethnographic data from Australian Torres Strait Islander songwriters to explore the processes and rationales they use when incorporating traditional dance chants within contemporary songs. The research demonstrates some of their processes of innovation and continuation while they negotiate crucial cultural and community politics that inform not only music and dance but also other forms of contemporary Indigenous artistic expression. The songwriters perceive themselves as creators but creators who must also work within the cultural, social and aesthetic dictates of their communities.
Funding
Category 1 - Australian Competitive Grants (this includes ARC, NHMRC)
History
Volume
5Issue
2Start Page
113End Page
128Number of Pages
16ISSN
1444-2213Location
Oxon, UKPublisher
Routledge, Taylor and Francis LtdLanguage
en-ausPeer Reviewed
- Yes
Open Access
- No
External Author Affiliations
Faculty of Informatics and Communication; TBA Research Institute;Era Eligible
- Yes