Elizabeth's costumes : the power of spectacle, or spectacles of power?
journal contribution
posted on 2017-12-06, 00:00authored byMarie Delamoir
When it was released in Australia, the film Elizabeth (Shekhar Kapur, 1998) provoked comment about its 'post-colonial' nature. Ruth Hessey, for example, in her Sydney Morning Herald piece, wrote of the 'exquisitely subversive approach' of the Indian director. She further noted that Australians edited the film (Jill Bilcock), composed the music (David Hirshfelder), and played two of the central characters: Elizabeth (Cate Blanchett) and Sir Frences Walsingham (Geoffrey Rush). The film, she concluded, is 'something of a post-colonial revenge on Britain's most hallowed myth'. Another reviewer writes: 'If nothing else, Elizabeth might well be remembered as the first post-colonial costume drama'.
Funding
Category 1 - Australian Competitive Grants (this includes ARC, NHMRC)
History
Volume
141
Start Page
46
End Page
53
Number of Pages
8
ISSN
0312-2654
Location
St Kilda
Publisher
Australian Teachers of Media
Language
en-aus
Peer Reviewed
Yes
Open Access
No
External Author Affiliations
Faculty of Informatics and Communication; TBA Research Institute;