Editorial: Australasian Journal of Popular Culture, Volume 8, Number 1, 1 March 2019, pp. 3-6(4)

The global screen industries are rapidly changing. Digital disruption has altered the way content is produced, distributed and consumed, and ‘screen’ no longer refers to just film and television. Audiences increasingly favour convenient access to content over remaining loyal to established providers or watching on particular devices/platforms (Nielson 2016). Despite this ongoing state of change, screen – and we consider that term broadly – remains an integral part of how we consume and create popular culture. Access to popular culture is increasingly pervasive and all-consuming for audiences, signalling what Jenkins et al. (2013) identify as ‘spreadable media’ in which circulation (or participatory sharing of content) is becoming more meaningful than distribution of content. This shift has led to greater demand for new content, niche content and the revival of many nostalgic forms of popular culture. This issue of the Australasian Journal of Popular Culture examines the theme of ‘Screening Popular Culture’.