This essay draws on a range of biographical and autobiographical material to argue that the widely accepted public image of Gwen Harwood as a traditional wife and mother is based on only one dimension of a personal identity that was far more complex and radical than this image allows.
Funding
Category 1 - Australian Competitive Grants (this includes ARC, NHMRC)
History
Volume
70
Issue
2
Start Page
158
End Page
179
Number of Pages
22
ISSN
0038-3732
Location
Sydney
Publisher
The English Association
Language
en-aus
Peer Reviewed
Yes
Open Access
No
External Author Affiliations
Division of Library and Academic Learning Services; Not affiliated to a Research Institute;