The audiovisual installation Oscillations, turns irons and
ironing boards into electronic instruments, in an attempt
to deconstruct stereotypical ideas of gender and its assigned
roles. The project aims to investigate the relationships we
have with domestic objects, and ponder their structures and
significance through the design and performance of an interactive
ecosystem. The project uses a sonic cyberfeminisms
lens to critically explore aesthetic and relational hierarchies
at the intersection of sound, gender and technology. Three
irons and ironing boards have been hacked and retrofitted
with embedded electronic instruments that together create
a complex feedback network. While the audience is invited
to physically interact with the iron instruments and manipulate
samples, the sonic state of the installation also changes
based on the audio information detected in the environment.