When developing a screenplay, theme is often overlooked by the writer. Or, as my
experience as a script editor, script consultant and screenwriting lecturer suggests,
writers struggle to articulate their themes, which impacts how the story is told. In a
professional context where others are involved in progressing the work (writer,
producer, director, script editor, etc.), this can stall and complicate the development
process which can lead to work that is technically good but emotionally lacking:
strong in craft but lacking in meaning. I suggest that embracing theme is an important
creative intervention in the development process, encouraging writers to feel the story
they want to tell so as to provide an emotionally authentic base from which it can be
advanced.
This paper thus argues that embracing theme in the collaborative development
process of a screenplay will create stories that ‘matter’. Putting craft and technology
aside, the focus here is on asking deep, meaningful story questions to give a
screenplay substance that can be understood and exploited by those working to
develop it. This paper will provide insights into what story development is,
experiences of working with writers and students on developing screenplays, and an
account of a recent screenplay project where theme was integral to its development,
thus providing ideas and tools for writers to feel their screenplays in order to
successfully navigate the development process.
History
Editor
Strange S; Rozynski K
Parent Title
The Creative Manoeuvres: Making, Saying, Being Papers: The Refereed Proceedings of the 18th Conference of the Australasian Association of Writing Programs, 2013