Newcastle is a city redolent with images. Perhaps the most dominant of these is of a male industrial working environment deriving from the days of the 'coally seaport', while other aspects of its identity, such as the female and the Aboriginal, are suppressed and obscured (Dunn et al., 1995). Another recurrent image is of profound community, of solidarity. This is evident in the 'Our Town' epithet applied to numerous local businesses. Such an image is portrayed in the cartoon by Eggleston, where the SS Newcastle is under siege from economic, political and physical forces, where the (all male) inhabitants, clinging together in adversity, are ignored by the Canberra rescue service (Fig. 1). Such
imagery is demonstrative of community but it is largely negative. The community is parochial, defensive and whinging, complaining of discrimination against it by 'them', the authorities in Sydney -and Canberra, yet expecting 'them' to be a saviour when in distress. It is also a community which is partial and exclusionary, consisting solely of the Anglo males in their sinking industrial ship (Dunn, -.1992).
History
Editor
Rowe D
Parent Title
Imaging Newcastle : proceedings of the Imaging Newcastle Symposium
Start Page
75
End Page
83
Number of Pages
9
Start Date
1996-05-17
Finish Date
1996-05-17
Location
Newcastle, NSW
Publisher
University of Newcastle
Place of Publication
Callaghan, NSW.
Peer Reviewed
No
Open Access
No
Cultural Warning
This research output may contain the names and images of Aboriginal and Torres Strait Islander people now deceased. We apologize for any distress that may occur.
External Author Affiliations
University of Newcastle; university of New South Wales