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Applying fractal and chaos theory to animation in the Chinese literati tradition

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conference contribution
posted on 06.12.2017, 00:00 by Qing HuangQing Huang, Ronald BalsysRonald Balsys
This paper describes and tests the hypothesis that that which ancient Chinese philosophy searched for, the Tao, is the same principle as that found in modern Chaos and Fractal Theories. an elucidaton of several key principles and notions of Chinese art theory is offered, coupled with fractal notions from Chaos theory. it is argued that Chinese art is an abstract form of symboic brush-strokes, which elicit intrinsic mathematic values. an exmaple of a modern evolving (animated) fractal form based on this notion is given to test our hypothesis.

Funding

Category 1 - Australian Competitive Grants (this includes ARC, NHMRC)

History

Parent Title

Computer Graphics, Imaging and Visualisation: new advances and trends.

Start Page

112

End Page

122

Number of Pages

11

Start Date

01/01/2009

ISBN-13

9780769537894

Location

Tianjing, China

Publisher

IEEE Computer Society Conference Publishing Services (CPS)

Place of Publication

Washington

Peer Reviewed

Yes

Open Access

No

External Author Affiliations

Faculty of Arts, Business, Informatics and Education;

Era Eligible

Yes

Name of Conference

International Conference on Computer graphics, Imaging and Visualization