In this chapter, we focus on screenwriting pedagogy through the lens of
script development, asking what we might glean from industry that helps our
students to learn about aspects of writing for the screen beyond the screenplay
itself. In other words, is script development a more viable pedagogy for teaching
and learning the craft of screenwriting, one that exposes students to the
wider world of industry and career'success' than merely focusing on the writing
of a script? This is a sentiment shared by Noel Maloney (2018) in his study
of screenwriting curricula in Australia, the UK and Europe. For example, he
reported on those pedagogies that focus on holistic script development, such
as the National Film School of Denmark (with an integrated writers' room approach to teaching), which, as we go on o outline here, are perhaps more useful for the contemporary writer trying to navigate the expanding yet precarious screen industry.
History
Editor
Batty C; Berry M; Dooley K; Frankham B; Kerrigan S